14 March 2023

Cinema list...

Began a most fruitful return to the cinema via a Light gift card a coupla years ago...
thought I'd begin a record, so it ain't like pissing away time in front of the box!
February 2023 signed up for 6 months Light Premiere membership...


Maestro:  umm!  Cliched caricature or stunning insight into the soul of a genius?
There were some stunning vignettes, in terms of both acting & cinematography.
Great music, well used. Mulligan nicks it! Cooper, con bravura, ages remarkably.
I did enjoy it, despite reservations. I think a second viewing would be in order.
Napoleon:  the English hate the French. Scott is English.
Somewhere in this movie lies a good movie - the battles were great, but short; the central relationship not explored in any depth; his background & motivations cursorily examined - re-cutting this over 4+hrs ain't likely that good movie!
Anatomy of a Fall:  a magnificent movie. Sinuous & complex, as to the nature of fact, truth, & relationship. Wonderfully fluid central performance from Sandra Huller, surrounded by a wonderful cast; Antoine Renartz, as Prosecuting Counsel, is a stand-out, but great execution abounds... even Snoop the dog must garner significant praise! Clever, compelling, & far your run-of-the-mill procedural or courtroom drama... it gripped for all the 2.5hr runtime. I could watch it over again! 
The Miracle Club:  cod-Irish schmaltz... there must have been Irish actors, with Irish accents, who might have helped overcome the stereotyping. I didn't hate it!
The Killers of the Flower Moon:  the banality & depth of American racism & evil. 
Lily Gladstone is a magnificent, quiet heart of this movie... a slow, full-bodied movie showing callous, all but mundane murders from the perspective of the perpetrators.
Oppenheimer:  science, politics, power, & ambition. Murphy, as most of the cast, was great. The temporal bouncing was well managed & informative.
Gobby, tense, & enjoyable... Nolan done good!
Equalizer 3:  Roberto is violento; Dakoto is older. Rather enjoyed the thing.
Loadsa blood & gore... stygian-black & heavenly-white hats abound!
Asteroid City:  showy, beautiful, stylish... tricksy & pretty soulless!
Understand why some might be turned off. I really enjoyed it!
Little Richard: I Am Everything:  fantastic documentary on 'the architect of rock & roll'. Too black, too queer, too holy all come across in the story of a complex life!
The Unlikely Pilgrimage of Harold Fry:  Broadbent IS Broadbent; Wilton IS Wilton... much better than one might anticipate. I'd read the book, but the movie does give one pause for thought: anger, grief, regret, guilt, silence, & ageing!
Everything Everywhere All At Once:  the Daniels made Swiss Army Man!
The Matrix on crack, with added familial love-hate! Everyone was great. Looks good.
Much allusion to wide range of cultural artefacts. Gross humour. Plenty to think on!
All Quiet on the Western Front:  great cinematography & melding;
phenomenal sound & score. The cold brutality lacked the subjectivity of 
Lew Ayres & Louis Solheim in the 1930s masterpiece. Could see it again!
The Whale:  theatrical, well acted, at times crass & overt...
it covers loss, complex (pathological) grief, stigma, 
& the rise of christian reconstructionists - trad evangelicals are pussies
alongside these fascistic mofos, who demand biblical law order modern states.
Fraser is brilliant. I understand why folk find it judgemental, monstrous, or 'wrong'. 
*Enys Men:  very Cornish! Loved it. Beautiful. Elemental. Austere.
Weird clockwork art of the highest order... & I've only seen it once so far!
Boiling Point (G/H):  raw, stressful immersion in chaos & panic. 
Graham is immense in his collapse... & all in one take!
Babylon:  a magnificent failure. Hysterical & knackering... great music!
A Man Called Otto:  loved the book, loved the movie. Formulaic,
but ultimately feel good & satisfying. Mariana Trevino magnificent as Marisol.
Rashomon:  Akutagawa, Kurosawa, Mifune, Shimura... come on!  

 

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